WHERE HAVE I BEEN?

This Cary Interior Designer has not been in Cary much over the past couple of months. What have I been doing? Check out this beautiful view of Alta Plaza Park in San Francisco! My son moved into an unfurnished apartment and I was lucky enough to be the designated designer! The amazing thing about this apartment is that it is right in the middle of all the beautiful hills and typical San Francisco cityscape, but when you look out the window, this beautiful park is what you see. If you step out on the balcony, you can see all the SF scenes; but from inside you see the peace of the park.

So I have been designing a bachelor pad for a twenty-something. (I also visited my other bachelor client in San Francisco. We are working on his apartment too, but it's a radically different aesthetic. Stay tuned for more on that project later, and visit his completed Bathroom Remodel post in this blog: July 2010).

So where do you begin when you are designing an apartment from scratch? We began with my son's art: a Mondrian that we ordered after our visit to MOMA in NYC 2 years ago.

Here is a pared down view of the process:  (Click on individual images to enlarge)

FIRST VISION BOARD: After discussing with my son what type of sofa he wanted, and what type of entertainment center, I did the first "vision board". That enables us to get a feel for the possibilities. I imported pictures from Pottery Barn for the sofa and coffee table, and I found a cool table at Pier One that complemented the Mondrian, since we had determined that the dining area would be the best location for it. We had discussed the art for the wall over the sofa, and decided on using my son's photographs from Europe, NYC and New Zealand. And the entertainment center I imported from my software program.

FLOOR PLAN: The next step was to properly scale all these items into the floor plan. I did many, many different floorplans, studies and vision boards of possible furniture for all these parts of the space. I emailed links to my son and together we reasoned out what would work best, what appealed to him most, and what fit the budget. I am only showing a few of the images here...

NEXT VISION BOARD: This board shows some changes: We shopped around and found a really cool table that is similar to the Pier One piece in the first concept board, but this table was less stark, both in color and form (slightly rounded, whereas Pier One was totally angular). We found a chair at the same store that was comfortable and affordable. We purchased an entertainment center from Ikea that looked just as I had imagined from my software. We had arrived at blue as the right color for the rug after looking at several possibilities, so I colored in a blue shape. And I found a coffee table that I thought my son would like from CB2. So I imported all these changes and we kept on working from this revised basis.

NEXT ROUND OF VISIONS: For this group of vision boards, I sent my son several actual rug choices. We looked at rugs from Crate and Barrel, West Elm, CB2, as well as several choices from my designer arsenal. In the end, we chose one of my rugs from the San Francisco Design Center - a Capel rug in Denim Blue. I imported it into the vision board, and we are waiting for it to arrive.

ELEVATION: This elevation shows the Pottery Barn sofa with chaise that we have on order. My new software is so cool that I can scale everything exactly, down to the fraction of the inch. So I did a design layout for my son's photos, showing the exact sizes of his frames, and how far apart they all are to be hung. I hung them all before I left SF. We are just waiting for the sofa now! To the right of the sofa, we opted for a small simple table from Walmart to hold the Ikea lamp. We were running out of money! To the right of the table/lamp are the beginning of the kitchen cabinets and the microwave.

This project lent itself very well to virtual design - long distance communication by email and phone.  (I didn't have to go to San Francisco - I just wanted to!!)

The examples of vision boards and floor plan are a good illustration of working on a design as a package.  I can either work by the hour, or on a package basis.  Sometimes all you need is an idea of where to begin - where to place your furniture, what sizes to buy.  For others, like my son, you need to know what the possibilities are, where to find them, and how to integrate them. For more information on how we might work on your project, give me a call, and we can talk about it.

I'm back doing interior design in Cary now, and the things we've ordered have started to arrive, so stay tuned for final pictures later on!

NEW YORK! NEW YORK!!!

WHAT A WONDERFUL TOWN!!!

I attended an ASID CEU last spring by Liesbet Trappenburg, entitled "You Are Not Your Job". An outstanding speaker, she counselled us "artists" to do something that replenishes your "creative well". So when the opportunity came up for me to spend a few days in NYC while my son was there on business, I grabbed it!!

I have always loved NY. I actually lived there from the age of 1-6 months, but of course I don't remember anything. We lived not far from Central Park, when my dad was studying voice. He had a Pavorotti style voice, and his lessons were in Carnegie Hall. Before I was born, he and my mom travelled all over the US doing a road show for the musical "Allegro." But he decided that NYC was no place to raise a family, so we moved to Dallas when I was an infant, and then later we moved back to Louisiana to be near all our wonderful Cajun family. That's where we opened our family store, Pieces of Eight. (see August 09 post)

So back to NY: My first visit was when I was 15 years old, to attend the opening of a Broadway play that my parents had invested in. (My dad had a successful producer friend from his NY musical days.) Being raised in Louisiana (I actually lived on a bayou!), I was in awe when I hit the streets of NYC. Such creativity everywhere you looked! We were staying in the St. Regis Hotel, and I met my first artist in the elevator. A thin man with a moustache and an ocelot on a leash entered the elevator, and the attendant addressed him as "El Capitan." I learned afterward that his name was Salvador Dali, and he lived in the hotel. It wasn't until I went to college and became a member of the Art Institute in Chicago, that I began to fully comprehend the place that Dali holds in modern art.

When I was 18, I visited again for another play opening. This time it was Eugene O'Neill's "More Stately Mansions", and starred Ingrid Bergman in her comeback role in the US. Again I was smitten with the creativity of NYC. I was into my first year of Northwestern University's Interior Architecture and Design curriculum, and my eyes had been opened to the wonders of my field. And NYC is a magnet for creativity.

I didn't get back to NY for many years after that, but in the 1990s we took our children up to see "Annie Get Your Gun," with Bernadette Peters. Then in the late 1990s, I went twice with my mom. We visited her old friends, who took us to dinner at Windows on the World (at the top of the WTC, destroyed in 9/11), and also to Tavern on the Green, a restaurant located in Central Park. We visited the Metropolitan Museum, and the Cloisters Museum; she had a portrait done of me by a street artist in Central Park. That was an artsy visit!

So I jumped at the chance to go back this August, and spend some time museum-hopping and visiting with my son! And it was perfect from start to finish....

Monday I spent the afternoon at MoMA. There is a spectacular exhibit of works of Ron Arad through Oct 19. See it now before it moves to Paris! If you can't get to NY, check it out on line at http://www.moma.org/ And here are my favorites from his work:

This wonderful thing is a model for the Zion Square outdoor sculpture that Ron Arad designed in 2006 in Jerusalem. It is a study in light and shadow, and the exhibit features a light arm travelling across the piece from side to side, showing the different patterns that the sunlight produces as it crosses the sky from morning to night. I am a huge fan of sunlight patterns in interior design. I will do another blog on that later, with some examples from my work, and other places. Use nature whenever you can!!

This is one of Ron's unique lighting designs. There were several in the exhibit, but I especially loved the simplicity and contrast of this one. It hangs about 8' long.

After viewing the Arad exhibit, I showed my son the painting and sculpture galleries of the permanent collection, with all my favorites, including Pollack, Picasso, Mondrian, Klimt, Rauschenberg, Matisse, Monet, Stella, Brancusi, Kline, DeKooning, Rothko - too many to count!! It was overwhelming and wonderful!! You can view much of the permanent collection on line also, if you can't get to NY.

I had recently watched a netflix movie - "The Impressionists", a BBC production about the lives of all those courageous artists that broke from tradition and set the stage for the acceptance of modern art. This really enriched my experience at the museums here in NY. I recommend the movie to anyone looking for a deeper historical view.

We also visited the Architecture and Design floor at MoMA. It was especially meaningful to me to find in the "What Was Good Design?" exhibit, objects that I had purchased in the 70s to sell at Pieces of Eight. Here are a few of them:

PLIA FOLDING CHAIR

AND PLATONE FOLDING

DESK (Castelli-Italy)

WASSILY CHAIR -

Classic mid-century modern

by Marcel Breuer

CLASSIC VIGNELLI DESIGN 1964 - STACKING MELAMINE DINNERWARE by Heller, now available again for purchase in the MoMA gift store.

DEDALO UMBRELLA STAND

And finally, with only a few minutes before closing, we dashed into the Architecture Room, with breathtaking models of contemporary architectural masterpieces, including FLW's "Falling Water." I have always been drawn to models. Perhaps it's from my childhood days as a doll house designer!!

That's Day 1 of my trip to New York!

Check back later for posts on Day 2 and Day 3!