SIMPLICITY (AKA the IKEA RED KITCHEN)

For a lot of us, this is a life goal:  to achieve a balanced, simple, uncluttered existence.  It can be a challenge in today's society!  But you can accomplish this in your surroundings.  Whether your interior is contemporary or traditional, or anywhere in between, you can eliminate clutter, live with what means the most to you, and let go of the rest.

I have been very blessed to work with Doug to help him attain this harmony in his San Francisco apartment.  Stillness is sacred.  You feel that when you enter Doug's space. 

We are not quite finished yet, but I was out in San Francisco at Thanksgiving so I took these photos.  We'll update in a few more months, after our silk TAI PING rug arrives from China, and after we install our solar shades and dimmers.

But for now, here's an abbreviated tour of Doug's renovated apartment, with my comments on Interior Design as Art......

Doug and I share a passion for original art and 20th century furniture classics, and that has made this project one of my all-time favorites.  Doug's friend Susan Tibbles is the artist for this set of mixed media assemblages from her "Swank Box Series."  The shadow boxes were originally from the Swank Jewelry company, where they were used to store various components in the manufacture of their jewelry.  Each of the boxes is filled with a melange of fascinating miniature vintage finds, and each box has an individual title by the artist.  Once you begin exploring them, it's hard to tear yourself away!  (For a closer look, see the enlargement below - and to magnify it even further - increase the zoom level on your monitor.)

Tibbles' work embodies "a sense of wit and political consciousness," and she has "a unique ability for assigning dual meanings to commonplace objects" (quoted from Gallery Ocho, Santa Barbara).

Here's the closeup:

                                                             "SWANK BOX SERIES"   by Susan Tibbles

To learn more about Susan Tibbles and her unique work as an artist, as well as her extensive work as an illustrator for the L.A. Times Opinion Page, visit her website at

http://www.susantibbles.com/

Contemporary art is all about juxtaposition.  Elements of line, form, color and texture are combined by the artist to create a unique work.  Sometimes the artist has a particular objective in his work - a social or political statement.  Sometimes the intention is simply to engage or delight the viewer.

Doug's apartment is a wellspring of juxtaposition.  One might think that this would cause clutter, but when properly edited, it creates just the right amount of tension to keep you thoroughly engaged. 

                  

Take, for example, this classic TRAVE table, with its simple glass candle ornaments on top.  This is Doug's doing - his canvas.  I've loved working with him because he has such a wonderful sensitivity for balance.  Look at the angles in the table base - so beautifully and simply counterpoised by the 3 glass spheres.  And the one blue sphere picks up the blue light in the stainless LED wall switch nearby (see photo below). 

This composition of the dining table is Doug's self-expression.  My "artist role" as editor is to be sure it is in harmony with everything else in the space.  My "techician role" as interior designer is to be sure that everything in the space conforms to health, safety and building standards, and to provide sources for the products needed to accomplish this.

SWANK BOXES by Susan Tibbles,  Stainless/Blue LED Lutron Lighting Control, TECH LIGHTING round stainless transformer for track lights

From the dining area you peek through to the red Ikea kitchen.  The raised bar hides the cooktop on the other side.  The soapstone counters and Black Empress granite mosaic add elegance, while still maintaining our theme of SIMPLICITY:

Doug's apartment is all about detail.  To make sure that we controlled every detail within our power to control, we worked together for months prior to and during the installation.

To revisit the construction portion of this project and to see the BEFORE pictures, click here:
http://swestdesign.blogspot.com/search/label/san%20francisco%20ikea%20kitchen

The beautiful reflection we get off the polished granite mosaic is a perfect backdrop for Doug's antique Thai bamboo container.  Several hundred years old, and given to Doug by an archaeologist friend, this piece is carved out of a single piece of bamboo, hollowed out inside, and fitted with an interior bamboo tray.  (And the special order Lutron receptacle in black is almost invisible....)  The mosaic technique is 1000s of years old, and much of the earth's granite is PreCambrian - this is another miniature "canvas" of juxtaposition in the apartment.

Take a close look at the center of the above photograph.  Doug's skyline view of San Francisco from the 10th floor of his apartment is reflected in the glass fronts of his Ikea kitchen.  It's magical!!

Also in the dining area is Doug's copy of the iconic Mackintosh Hill House Chair, designed by scottish architect Charles Rennie Macintosh in 1902-1903.   The original still resides in the bedroom of the Hill house in Helensburgh, Scotland, 20 minutes from where Doug used to live when he was working out of Scotland.

Above the Hill House chair hangs a Susan Tibbles work:  "Unzipped"  ......another study in contrasts:  the geometry of the chair is perfectly balanced by the soft curves and wispy feathers in the artwork.

                                                                                 "UNZIPPED"   by  Susan Tibbles

There is also a Tibbles piece in the kitchen - a special gift to Doug - a single long-stemmed rose entitled "Valentine Love Monster":

The luxurious finishes in Doug's space provide worthy surroundings for his beautiful art collection.  Once inside the kitchen, the rich red and black furnishes an elegant backdrop for food preparation.  But it is completely practical.  Soapstone requires no maintenance.

The cabinets run all the way to the ceiling to provide generous storage for things out of sight.

The halogen lighting supplies ample task illumination, and Doug's Wusthof knives are hanging within easy reach of any kitchen task.   

Doug actually uses his kitchen!  He keeps his favorite items right on the counter, and the colors enhance the granite backsplash and the soapstone.

On the opposite side, the oven and cooktop are easily accessible, but out of view from the living/dining area.

*****

I believe that everyone is an artist in some way.  And I approach every project as an artist ready to collaborate with other artists, including (and especially!) you.  My job is to direct you in your self-expression through your interior space.

Collaborating with Doug has been one of the most personally rewarding projects in my career, because his appreciation and embodiment of art has guided every step we have taken.  Doug lives and breathes his art collection, and he loves to share it with visitors.  I am delighted with each phase of this project, as Doug continues to refine and add to his collection.  We'll post the rest of the art when we get the final photography later this year.

To read more about the juxtaposition of old and new in interior spaces, see my website page:

http://swestdesign.com/church1.html

To read more about letting your own individuality be the creative canvas on which you build your interior space, and also how to work with commissioned art, see my page on ava living:

http://avaliving.com/room.php?rid=5613  (When you get to this page, it's counter-intuitive:  DON"T press NEXT under the photo....that will take you to the next featured designer and away from my page.  Instead, scroll down to see all the photos and the story behind this design.)

See you next time!

NEW YORK! NEW YORK!!!

WHAT A WONDERFUL TOWN!!!

I attended an ASID CEU last spring by Liesbet Trappenburg, entitled "You Are Not Your Job". An outstanding speaker, she counselled us "artists" to do something that replenishes your "creative well". So when the opportunity came up for me to spend a few days in NYC while my son was there on business, I grabbed it!!

I have always loved NY. I actually lived there from the age of 1-6 months, but of course I don't remember anything. We lived not far from Central Park, when my dad was studying voice. He had a Pavorotti style voice, and his lessons were in Carnegie Hall. Before I was born, he and my mom travelled all over the US doing a road show for the musical "Allegro." But he decided that NYC was no place to raise a family, so we moved to Dallas when I was an infant, and then later we moved back to Louisiana to be near all our wonderful Cajun family. That's where we opened our family store, Pieces of Eight. (see August 09 post)

So back to NY: My first visit was when I was 15 years old, to attend the opening of a Broadway play that my parents had invested in. (My dad had a successful producer friend from his NY musical days.) Being raised in Louisiana (I actually lived on a bayou!), I was in awe when I hit the streets of NYC. Such creativity everywhere you looked! We were staying in the St. Regis Hotel, and I met my first artist in the elevator. A thin man with a moustache and an ocelot on a leash entered the elevator, and the attendant addressed him as "El Capitan." I learned afterward that his name was Salvador Dali, and he lived in the hotel. It wasn't until I went to college and became a member of the Art Institute in Chicago, that I began to fully comprehend the place that Dali holds in modern art.

When I was 18, I visited again for another play opening. This time it was Eugene O'Neill's "More Stately Mansions", and starred Ingrid Bergman in her comeback role in the US. Again I was smitten with the creativity of NYC. I was into my first year of Northwestern University's Interior Architecture and Design curriculum, and my eyes had been opened to the wonders of my field. And NYC is a magnet for creativity.

I didn't get back to NY for many years after that, but in the 1990s we took our children up to see "Annie Get Your Gun," with Bernadette Peters. Then in the late 1990s, I went twice with my mom. We visited her old friends, who took us to dinner at Windows on the World (at the top of the WTC, destroyed in 9/11), and also to Tavern on the Green, a restaurant located in Central Park. We visited the Metropolitan Museum, and the Cloisters Museum; she had a portrait done of me by a street artist in Central Park. That was an artsy visit!

So I jumped at the chance to go back this August, and spend some time museum-hopping and visiting with my son! And it was perfect from start to finish....

Monday I spent the afternoon at MoMA. There is a spectacular exhibit of works of Ron Arad through Oct 19. See it now before it moves to Paris! If you can't get to NY, check it out on line at http://www.moma.org/ And here are my favorites from his work:

This wonderful thing is a model for the Zion Square outdoor sculpture that Ron Arad designed in 2006 in Jerusalem. It is a study in light and shadow, and the exhibit features a light arm travelling across the piece from side to side, showing the different patterns that the sunlight produces as it crosses the sky from morning to night. I am a huge fan of sunlight patterns in interior design. I will do another blog on that later, with some examples from my work, and other places. Use nature whenever you can!!

This is one of Ron's unique lighting designs. There were several in the exhibit, but I especially loved the simplicity and contrast of this one. It hangs about 8' long.

After viewing the Arad exhibit, I showed my son the painting and sculpture galleries of the permanent collection, with all my favorites, including Pollack, Picasso, Mondrian, Klimt, Rauschenberg, Matisse, Monet, Stella, Brancusi, Kline, DeKooning, Rothko - too many to count!! It was overwhelming and wonderful!! You can view much of the permanent collection on line also, if you can't get to NY.

I had recently watched a netflix movie - "The Impressionists", a BBC production about the lives of all those courageous artists that broke from tradition and set the stage for the acceptance of modern art. This really enriched my experience at the museums here in NY. I recommend the movie to anyone looking for a deeper historical view.

We also visited the Architecture and Design floor at MoMA. It was especially meaningful to me to find in the "What Was Good Design?" exhibit, objects that I had purchased in the 70s to sell at Pieces of Eight. Here are a few of them:

PLIA FOLDING CHAIR

AND PLATONE FOLDING

DESK (Castelli-Italy)

WASSILY CHAIR -

Classic mid-century modern

by Marcel Breuer

CLASSIC VIGNELLI DESIGN 1964 - STACKING MELAMINE DINNERWARE by Heller, now available again for purchase in the MoMA gift store.

DEDALO UMBRELLA STAND

And finally, with only a few minutes before closing, we dashed into the Architecture Room, with breathtaking models of contemporary architectural masterpieces, including FLW's "Falling Water." I have always been drawn to models. Perhaps it's from my childhood days as a doll house designer!!

That's Day 1 of my trip to New York!

Check back later for posts on Day 2 and Day 3!