The MAGIC of WINDOW TREATMENTS

There are many beautiful things in the manufactured universe, and FABRIC

is certainly one of the most magical. I have always loved fabric. I first recall being entranced by it as a child, when I discovered a bolt of vintage silk in my mom's closet. She had brought it with her from England. It was a delicious red color, and I could imagine a rajah's trappings to go with it. When I was twelve, my parents enrolled me in a sewing class at the local Singer store and I got to select the fabric and pattern for a dress (black and white checked gingham!) that I made myself (with zipper!). I was hooked. I loved walking the aisles of fabric stores wherever I could find them, and made many of my own clothes. I even made my wedding dress - an exquisite, simple, elegant Vogue pattern.






When I enrolled in the Interior Architecture and Design curriculum at Northwestern University, I discovered all the magic of interior fabrics. The showrooms at the Merchandise Mart in Chicago begcame my regular haunts! Rows and rows of fabrics and trims - surely this is Heaven!

Window Treatments are one of the most creative ways to enjoy beautiful fabrics. With the perfect balance of shape, color and texture, each treatment is a canvas, and that is exactly how I approach designing a window treatment.

Also wonderful to consider in your "window treatment canvas" is how the outside light plays into the mix. Different times of day produce different light effects, both in color and shadow, and the results can be thrilling, when you walk into a space and see the light dancing on your wall or floor through the pattern of your fabric or shutters.

I have a wonderful workroom that I have used for years. I specialize in very individual treatments, and this seamstress has all the background and skills to help me put my ideas together in the most practical form for the client. I am an artist, and I treat each project as a canvas specific to that client. I don't have any standard treatments. I start each treatment with an in-depth discussion with you to find out what you need and what you love. And then we work to narrow the field to those solutions that are right for you (including your budget). If you do want a "standard treatment" (simple pinch pleats, for instance), we have no problem executing it. But I love to put in a little detail that distinguishes your treatment from anyone else's...

I don't have a particular period. I love all interior design! I do traditional through contemporary based on the client's preferences. Clients usually come to me because they have specific needs and desires. My task is to coordinate all the elements that you love and fuse them into a cohesive whole. Creating a beautiful, individual project canvas is what I love to do!

All the above treatments were designed by me. Check out my new Window Treatment Slideshow to see more. These are not professional photos (I took most of them myself), but you can still get the idea! See the Slideshow link in the column to the right, just under my website url.

NEW YORK! NEW YORK!!!

WHAT A WONDERFUL TOWN!!!

I attended an ASID CEU last spring by Liesbet Trappenburg, entitled "You Are Not Your Job". An outstanding speaker, she counselled us "artists" to do something that replenishes your "creative well". So when the opportunity came up for me to spend a few days in NYC while my son was there on business, I grabbed it!!

I have always loved NY. I actually lived there from the age of 1-6 months, but of course I don't remember anything. We lived not far from Central Park, when my dad was studying voice. He had a Pavorotti style voice, and his lessons were in Carnegie Hall. Before I was born, he and my mom travelled all over the US doing a road show for the musical "Allegro." But he decided that NYC was no place to raise a family, so we moved to Dallas when I was an infant, and then later we moved back to Louisiana to be near all our wonderful Cajun family. That's where we opened our family store, Pieces of Eight. (see August 09 post)

So back to NY: My first visit was when I was 15 years old, to attend the opening of a Broadway play that my parents had invested in. (My dad had a successful producer friend from his NY musical days.) Being raised in Louisiana (I actually lived on a bayou!), I was in awe when I hit the streets of NYC. Such creativity everywhere you looked! We were staying in the St. Regis Hotel, and I met my first artist in the elevator. A thin man with a moustache and an ocelot on a leash entered the elevator, and the attendant addressed him as "El Capitan." I learned afterward that his name was Salvador Dali, and he lived in the hotel. It wasn't until I went to college and became a member of the Art Institute in Chicago, that I began to fully comprehend the place that Dali holds in modern art.

When I was 18, I visited again for another play opening. This time it was Eugene O'Neill's "More Stately Mansions", and starred Ingrid Bergman in her comeback role in the US. Again I was smitten with the creativity of NYC. I was into my first year of Northwestern University's Interior Architecture and Design curriculum, and my eyes had been opened to the wonders of my field. And NYC is a magnet for creativity.

I didn't get back to NY for many years after that, but in the 1990s we took our children up to see "Annie Get Your Gun," with Bernadette Peters. Then in the late 1990s, I went twice with my mom. We visited her old friends, who took us to dinner at Windows on the World (at the top of the WTC, destroyed in 9/11), and also to Tavern on the Green, a restaurant located in Central Park. We visited the Metropolitan Museum, and the Cloisters Museum; she had a portrait done of me by a street artist in Central Park. That was an artsy visit!

So I jumped at the chance to go back this August, and spend some time museum-hopping and visiting with my son! And it was perfect from start to finish....

Monday I spent the afternoon at MoMA. There is a spectacular exhibit of works of Ron Arad through Oct 19. See it now before it moves to Paris! If you can't get to NY, check it out on line at http://www.moma.org/ And here are my favorites from his work:

This wonderful thing is a model for the Zion Square outdoor sculpture that Ron Arad designed in 2006 in Jerusalem. It is a study in light and shadow, and the exhibit features a light arm travelling across the piece from side to side, showing the different patterns that the sunlight produces as it crosses the sky from morning to night. I am a huge fan of sunlight patterns in interior design. I will do another blog on that later, with some examples from my work, and other places. Use nature whenever you can!!

This is one of Ron's unique lighting designs. There were several in the exhibit, but I especially loved the simplicity and contrast of this one. It hangs about 8' long.

After viewing the Arad exhibit, I showed my son the painting and sculpture galleries of the permanent collection, with all my favorites, including Pollack, Picasso, Mondrian, Klimt, Rauschenberg, Matisse, Monet, Stella, Brancusi, Kline, DeKooning, Rothko - too many to count!! It was overwhelming and wonderful!! You can view much of the permanent collection on line also, if you can't get to NY.

I had recently watched a netflix movie - "The Impressionists", a BBC production about the lives of all those courageous artists that broke from tradition and set the stage for the acceptance of modern art. This really enriched my experience at the museums here in NY. I recommend the movie to anyone looking for a deeper historical view.

We also visited the Architecture and Design floor at MoMA. It was especially meaningful to me to find in the "What Was Good Design?" exhibit, objects that I had purchased in the 70s to sell at Pieces of Eight. Here are a few of them:

PLIA FOLDING CHAIR

AND PLATONE FOLDING

DESK (Castelli-Italy)

WASSILY CHAIR -

Classic mid-century modern

by Marcel Breuer

CLASSIC VIGNELLI DESIGN 1964 - STACKING MELAMINE DINNERWARE by Heller, now available again for purchase in the MoMA gift store.

DEDALO UMBRELLA STAND

And finally, with only a few minutes before closing, we dashed into the Architecture Room, with breathtaking models of contemporary architectural masterpieces, including FLW's "Falling Water." I have always been drawn to models. Perhaps it's from my childhood days as a doll house designer!!

That's Day 1 of my trip to New York!

Check back later for posts on Day 2 and Day 3!